格里·巴杰是一位摄影师、建筑师、博物馆长兼评论家。他为摄影出版社撰写了大量书籍。包括最近的新作《收藏摄影》《写真集：历史卷》(和马丁·帕尔合著)第一、第二册，和他为约翰·戈西奇的摄影作品《柏林墙时期的柏林》所写的专论。由他策划的展览有：1981至1982年大不列颠艺术委员会巡回展“摄影师兼做印相人：摄影印相140年展”；1989年在巴比肯艺术画廊展出的“镜中所见：1949至1985年大不列颠的摄影艺术”。他还于2010年在巴黎为“玛格南图片社60周年纪念”共同策展。他自己的摄影作品，已被收进2004年英国伦敦泰特美术馆的《英国艺术花园》之中。

This compelling book chronicles the most influential ideas that have shaped photography from the invention of the daguerreotype in the early 19th century up to the digital revolution and beyond. Entertaining and intelligent, it provides a fascinating resource to dip into. Arranged in a broadly chronological order to show the development of photography, the ideas that comprise ...(展开全部)

In this compelling work, Ariella Azoulay reconsiders the political and ethical status of photography. Describing what she calls "the civil contract of photography," she gives an account of the power relations that sustain and make possible photographic meanings. Azoulay argues that anyone--even a stateless person--who addresses others through photographs or is addressed by phot...(展开全部)

A collection of photographs from winners of the Wildlife Photographer of the Year competition. The Wildlife Photographer of the Year competition comes from two venerable institutions of the United Kingdom: the Natural History Museum and BBC Worldwide. For 49 years, this prestigious exhibition has drawn submissions from around the world. Being shortlisted is something to which n...(展开全部)

吉姆·斯通(Jim Stone)，美国新圣西哥大学摄影专业教授，美国马萨诸塞艺术委员会及美国国家艺术基金会大奖获得者。作品曾被纽约现代艺术博物馆、美国国家艺术馆、汉堡工艺美术馆等多家艺术机构收藏。著有A User’s Guide tothe VieW Camera，DarkPoom Dynamlcs A Short Course in Photography，Photography及三本个人摄影集 Stranger ThanFiction，Historiostomy，Why My Pictures are Good.

An inclusive introduction to photography that elucidates the multiple, dynamic roles and character of this art form, both historically and today. Photography has a complex relationship to art. This volume uses an innovative framework to help readers appreciate photography as its own modern art form. In his unique and insightful approach, professor of photography David Bate pres...(展开全部)

The Photography Reader is a comprehensive introduction to theories of photography; its production; and its uses and effects. Including articles by photographers from Edward Weston to Jo Spence, as well as key thinkers like Roland Barthes, Victor Burgin and Susan Sontag, the essays trace the development of ideas about photography. Each themed section features an editor's introdu...(展开全部)

From the beginning, abstraction has been intrinsic to photography, and its persistent popularity reveals much about the medium. The Edge of Vision: The Rise of Abstraction in Photography is the first book in English to document this phenomenon and to put it into historical context, while also examining the diverse approaches thriving within contemporary photography. Author Lyle...(展开全部)

In this remarkable contribution to photographic criticism and psychoanalytic literature, Ulrich Baer traces the hitherto overlooked connection between the experience of trauma and the photographic image. Instead of treating trauma as a photographic "theme," Baer examines the striking parallel between those moments arrested mechanically by photography and those arrested experien...(展开全部)